Posts Tagged ‘Practice’

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The organ and soloist line is heard equally in both channels.

This file has only the chorus entrances, not the whole movement. There is a silence between each of the chorus entrances.

The first entrance is Measures 1 – 13 (then a short silence.) This is on Page 2 and the top of Page 3 in your score.

The second entrance starts at Measure 24, three measures before the chorus entrance at Measure 27 & 28, and ends at Measure 35 (then a short silence). This is on the bottom of Page 3 and the top of Page 4 in your score.

The third entrance starts at Measure 59 and goes to the end of the movement. This is on Pages 5 & 6 in your score.

1. Easter ALL PARTS
1. Easter SOPRANO
1. Easter ALTO
1. Easter TENOR
1. Easter BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts and the piano are quieter and in the left channel.

Hope Is The Song, Pg 12 – End, ALL
Hope Is The Song, Pg 12 – End, SOPRANO
Hope Is The Song, Pg 12 – End, ALTO
Hope Is The Song, Pg 12 – End, TENOR
Hope Is The Song, Pg 12 – End, BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The organ is heard equally in both channels.

O Clap Your Hands ALL
O Clap Your Hands SOPRANO
O Clap Your Hands ALTO
O Clap Your Hands TENOR
O Clap Your Hands BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The piano is heard equally in both channels.

Hope Is The Song ALL
Hope Is The Song SOPRANO
Hope Is The Song ALTO
Hope Is The Song TENOR
Hope Is The Song BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel.

Where There Is Light In The Soul ALL
Where There Is Light In The Soul SOPRANO
Where There Is Light In The Soul ALTO
Where There Is Light In The Soul TENOR
Where There Is Light In The Soul BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The organ is heard equally in both channels.

5. Antiphon ALL
5. Antiphon SOPRANO
5. Antiphon ALTO
5. Antiphon TENOR
5. Antiphon BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The piano is heard equally in both channels.

These tracks reflect the part shifts we’ve rehearsed. Here’s a PDF that has all these part shifts listed:

Part Shifts for “You Are The New Day”

You Are The New Day ALL
You Are The New Day SOPRANO 1
You Are The New Day SOPRANO 2
You Are The New Day ALTO 1
You Are The New Day ALTO 2
You Are The New Day TENOR
You Are The New Day BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The piano is heard equally in both channels.

Everything’s Coming Up Roses – ALL
Everything’s Coming Up Roses – SOPRANO
Everything’s Coming Up Roses – ALTO
Everything’s Coming Up Roses – TENOR
Everything’s Coming Up Roses – BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The piano is heard equally in both channels.

Adiemus – ALL
Adiemus – SOPRANO
Adiemus – ALTO
Adiemus – TENOR
Adiemus – BASS

The tracks below with the featured section indicated have that part louder and in the right channel; all other voice parts are quieter and in the left channel. The piano is heard equally in both channels.

BEFANA: 8. Finale ALL
BEFANA: 8. Finale SOPRANO
BEFANA: 8. Finale ALTO
BEFANA: 8. Finale TENOR
BEFANA: 8. Finale BASS